在技艺和集置之间——重思海德格尔关于技术的追问

Between Techne and Gestell: Reconsiderations on Heidegger's Question Concerning Technology

海德格尔对现代技术的追问以他对古代技艺的理解为基准,因此在重思这一主题时,必须对古代技艺的根源进行更深入的探究,让海德格尔同维特鲁威和岱达洛斯这两位古代技艺人展开对话。维特鲁威具体规定了技艺同自然的关系,岱达洛斯则表明了前哲学的古希腊艺术是真理的源初发生领域,他们的思想为理解海德格尔提供了一个更广阔的视域。现代技术的本质是集置,它将存在者化约为可订造的资源,让人与世界面临着最高的危险;对这一危险的救渡也许是艺术,然而只有让艺术返回其前哲学的本源,才可能实现从危险转向救渡的希望。

Heidegger's questioning concerning modern technology is based on his understandings of the term techne in the archaic times. To rethinking this subject,we have to make more research on the genealogy of the archaic techne,and set a contention between Heidegger and archaic skilled masters,Vitruvius and Daedalus. Vitruvius defines the relationship between techne and nature,while Daedalus suggests the pre-philosophical Hellenic arts as the original opening realm of truth. Their thoughts can provide a horizon for understanding Heidegger,as well as recognizing the essence of modern technology. The Gestell,the essence of modern technology,reducing beings to mere resources,puts human and the world in face of a highest danger; the salvation from this danger might be arts,however,it will not possibly happen if arts not be traced back to the pre-philosophical origin.