新世纪以来国际主流艺术批评界对我国当代艺术的经典化

Canonization of Contemporary Chinese Art by International Mainstream Art Critical Circle since the Beginning of 21^(st) Century

当代艺术是当下艺术创作中最为活跃的领域,然而我国这个领域的艺术创作却是文化价值缺失的重灾区。这是中国当代艺术的结构性矛盾,是需要给予重点关注的理论领域。为此,如何在一个传统大国复兴语境下,重建具有传统大国文化身份的,反应公众美好迷人生活的实验艺术,成为当下艺术创作的主流化诉求。论文认为中国当代艺术不应该仅仅体现于艺术媒介的多样化实践与探索之上(诸如观念艺术、混合媒介艺术等),而应扩容到更加广泛的艺术构成生态系统之中。其艺术范畴也不应限定在艺术媒介,而是扩容到更为广泛的形式、美学、文化方面。通过国际主流艺术批评界对中国当代实验艺术经典化的勘察,探索与构建中国当代实验艺术的新的文化价值,进而实现新文化价值与艺术创作的无缝对接。

Contemporary art is the most active area in art creation field today,but the area in China is the harder-hit area lack cultural value.This is a structural contradiction of Chinese contemporary art,a theoretical field needs more concern.Thus,how to build the experimental art with the cultural identity of a big traditional country reflects public nice and attractive life in the context of the revival of the big traditional country has become the mainstream pursuit of art creation today.The author believes that contemporary Chinese art should not just show in multiple practice and exploration of art media(such as conceptual art,multiple media art,etc.),but should expand to broader bio-system of art structure.Its art domain should not be limited in art media either,but expand to broader aspects such as form,aesthetics and culture.Through investigation of canonization of contemporary Chinese experimental art by international mainstream art critical area,it is right the chance to explore and construct new cultural value of contemporary Chinese experimental art,so as to realize seamless connection of new cultural value and art creation.