摘要
面对明中叶戏曲艺术日渐脱离现实与观众的创作现状 ,徐渭总结前人知见 ,扩展了“本色”内涵。本文从审美接受、艺术本质、审美标准三个方面来分析徐渭多层次深蕴涵的本色审美理想。
Confronted with the situation of the traditional opera creation that the art of traditional opera was gradually losing contact with reality and spectators in the middle period of the Ming Dynasty, Xu Wei summarized the knowledge and ideas of the forefathers and extended the connotation of the inherent qualities. This article analyses Xu Wei's multi-level and profound aesthetic ideal on inherent qualities from aesthetic acceptance, essence of art and aesthetic standards by three aspects.
出处
《泉州师范学院学报》
2003年第3期83-88,共6页
Journal of Quanzhou Normal University