唐代美术美学

Art Aesthetics of the Tang Dynasty

唐代的美术美学有着不可替代的成就 ,其对于隋代既有继承的一面 ,又有超越的一面。吴道子的画体现了盛唐求丰满厚重的审美理想 ;而王维作为山水南宗之祖 ,形成了真正的文人画 ;李思训父子则创造了北宋的金碧山水。盛唐鞍马画 ,张萱、周的仕女画均有很高成就。陶瓷、“唐三彩”、石窟造像、敦煌彩塑壁画等均在中国美术美学史上享有崇高的地位。

The achievements of the Tang Dynasty in art aesthetics are non replaceable, for it not only inherited what was best of the art of the Sui Dynasty, but also surpassed it in many aspects. The paintings of Wu Daozi embodied the pursuits of the period for fullness and solemnity, while Wang Wie's landscapes, with their scholarly touch, started the Southern School. In contrast with them, Li Sixun and his son paved the path for what was to become the Bright Color Landscapes of the Northern Song Dynasty. Paintings of horses and court ladies also scored the highest attainments in the early Tang period. Besides, the ceramic and colored porcelain products, rock sculptures and mural paintings of the period all stood out as the best of their kinds in the history of Chinese art aesthetics.