吸血鬼形象变化与美学发展的关系

AN ANALYSIS OF THE CONNECTION BETWEENTHE CHANGE OF THE IMAGE OF VAMPIRE AND THE DEVELOPMENT OF AESTHETICS

吸血鬼形象的变化与美学的发展密不可分。在早期,人们的审美呈现出一种理性的、静态的特点,吸血鬼外表丑陋且无意识;到了近代,感性中夹杂着理性的美学观,让人们对于美的追求变得更主观、更感性、更强烈,尤其在斯托克的著名小说《德古拉》问世后,吸血鬼形象由丑陋变得俊美并开始受到热捧;当代审美观念的价值取向呈现出一种主观的、非理性的和动态的特点,在吸血鬼作品中,吸血鬼不但外表俊美,性格也越发人性化。人们的审美变化使吸血鬼的形象更加饱满,说明吸血鬼的形象正是时代美学形态的反映。

The change of the vampire's image has a close relationship with the development of aesthetics. In early times,people's aesthetic appreciation shows a rational and static feature,and the original vampire is ugly and unconscious. In modern times,perceptual aesthetics that compounds rational views makes people begin to pursue beauty more subjectively,sensitively and intensely. Especially after the publication of Bram Stoker's Dracula,the vampire's image becomes handsome and popular. In contemporary times,the value orientation of aesthetic views presents a subjective,irrational and dynamic characteristic,and the vampire not only has a handsome appearance,but is more humane. The change of aesthetic views makes the image of vampire more well- rounded,which shows that the image of the vampire is just the reflection of the era of aesthetics.