论柳永词中的身体叙事

On Physical Narrative in Liu Yong's Ci-poems

历来对柳永词的"身体现象"研究尚停留在表层的"艳词"视野上,或以女性身体所涵盖的情感为焦点,忽视了"身体"在柳永词中所蕴含的艺术与文化的丰富性。本文的研究拟从词体的叙事性出发,正视"身体"在叙事内容中的主导作用,结合现代身体叙事理论的观点,所研究范畴超越纯粹的女性身体单一的维度,既从显现的在场身体,又从词人作为主体参与行为活动,塑造自我形象或以我表现活动的隐性角度,探究"多重身体"对象的书写类型及身体叙事的表现功能(如场景构建、视角展现和时空结构排列等方面),以求解读身体叙事对柳词风格形成的影响。

There has been a general tendency in the academia to study Liu Yong's Ci-poems from a superficial perspective of 'flowery words'or emotional factors evoked by depictions of female body,while neglecting the artistic value and cultural profoundness embodied in Liu's Ci-poems. This paper presents an analysis of Liu Yong's Ci-poems from physical narrative perspectives in the hope of unveiling the expressiveness of Liu's Ci-poems and probing into the role that physical narrative plays in the formation of Liu's unique poetic style.