摘要
二十世纪末 ,后殖民文化以其不可违逆的强势在中国文化的前沿登陆。大众伦理出现混乱状态 ,消费主义和享乐主义盛行。世纪末七十年代生女作家的另类写作 ,以时代赋予的特质回应了历史 ,在文本中袒露了女性无理性的欲望。卫慧、棉棉无疑是其中最典型的两位 ,她们以前卫的躯体、前卫的消费、前卫的叙述构筑了世纪末文坛最惹眼的风景 ,这道风景被窥破之后 ,袒露的是她们在后殖民文化心态驱使下的欲望泛滥。
At the end of the 20th century,the post-colonialism culture landed on China by force. The people's ethic was thrown into confusion,and hedonism prevailed widely. The other-type female writers born in 1970's responded the history with the up-to-date characteristic,and opened their unreasonable desires thoroughly in their fictions.Wei Hui and Mian Mian, as their representatives,constructed the most noticeable literature-culture landscape by their ultramodern bodies, consumption and narration. When this landscape was peeped out,their unreasonable desires flooding subjected by cultural mentality of post-colonialism was exposed.
出处
《中国地质大学学报(社会科学版)》
2003年第3期86-90,共5页
Journal of China University of Geosciences(Social Sciences Edition)
关键词
后殖民文化心态
另类女性写作
欲望泛滥
cultural mentality of post-colonialism
the other-type female writing
unreasonable desires flooding