论唐宋词体的类层和演进

On the Layers and Transformation of Tang Song Lyric Styles

如果将词体作为最基本单元的话,则词体大致可分为四个类层:词体、种词体、亚范型词体、范型词体。风格独特、具有创新意识而产生一定的影响,并被一些词人仿效的词人词作可称为词体,其中一些优秀的词体,占有统治地位,形成类似人类社会部落种姓的又可称为种词体,若干种词体组成类似王国性质的则可称为亚范型词体。亚范型词体约有六种:花间体、柳永体、东坡体、美成体、稼轩体、白石体。在六大亚范型词体中,只有三种堪称词体范型:柳永体、东坡体和白石体,分别代表了三种词人和三大词性:市井词人、诗人词人和职业词人以及伶工之词、士大夫之词、职业的工艺化词。

Only the lyricist who had unique style and then had been imitated by other lyricist then we call it lyric style. In many lyric styles there were some lyric styles which had been imitated by other lyric styles. so we call them Group Lyric styles. Some Group Lyric styles consisted of a Sub_Paradigm Lyric styles. There were six in them: Wen Feiqing Lyric style, Liu Yong Lyric style, Dongpo Lyric style, Qingzhen Lyric style, Jiaxuan Lyric style and Baishi Lyric style. There were only three lyric styles have the statues of Paradigm Lyric Styles: Liu, Su and Jiang. They represented three kinds of Lyric: Singers Lyric, Scholar-Bureaucrft Lyric and Prefessional Lyricists Lyric.