摘要
从文学史角度来考察20世纪末中国童话创作的民族性与现代性品格,可以认为,近20年童话领域的民族性追求与中国传统文化重“诗教”密不可分,而现代性追求主要体现在“热闹派”童话所张扬的游戏精神中。同时,新时期童话在多元文化语境中漠视苦难的描写,并出现了成人化趋势,使现代性与民族性相脱离,应当引以为诫。
This paper discusses the creation of the quality and style of the nationality and modernity of Chinese children抯 stories by the end of the twentith century from the angle of literature history. It is thought that the seeking of nationality of children抯 stories within twenty years is related to poetry teaching of Chinese traditional culture, and that the seeking of modernity is mainly shown in the spirit of recreation in the Excitement Group. In the meantime, some children抯 stories havn抰 paid any attention to the description of misery and have formed the tendency of adults, which has made modernity seprate from nationality and should be drawn as a lesson.
出处
《湖南城市学院学报》
2003年第2期54-56,共3页
Journal of Hunan City Univeristy
基金
国家社科基金资助项目(01BZWO40)