《风》《骚》梦幻文学审美

The Aesthetic Discussion about Feng and Sao's Fantastic Literature

《诗经》与《楚辞》是中国梦幻文学的源头之一。《诗经》梦幻描写虽简朴单一,但其开创之功实不可没。《楚辞》踵事增华,其梦幻描写趋于繁富细腻,神灵怪异任遣笔端,艺术空间宏阔辽远,极利于表达屈原那激越奔放的浪漫情怀。《诗经》的梦幻描写多与现实生活密切相关,呈现出鲜明的功利性;《楚辞》的梦幻描写多具有超现实的神秘性特征,有时还体现出较为浓厚的“梦魂说”宗教观念,但屈原所精心营构的梦幻世界,无不深刻烙铸着现实社会内容的清新印记,具有深刻的象征意义。《诗经》、《楚辞》共同开创了中国梦幻文学的创作传统,奠定了梦幻文学的坚实基础。

Shi Jing and Chu Ci are the original sources of fantastic literature in china. Although the fantastic Portray in Shi Jing can not be buried under the earth. Succeeding and developing the feat of former authors, fantastic portray iv Chu Ci becomes more and more exquisite and free, Which makes it easier to express QU Yuan抯 romantic emotions. The fantastic portray in Shi Jing is closely connected with reality, which shows its enlightening and educational features. By Contrast, this type of writing art in Chu Ci has the mysterious feature. Sometimes, it contains the religious idea of 揇ream and Soul? However, the fantastic world elaborated by QU Yuan has the impression of reality, which has its symbolic meaning. Both of the two works commence the creative tradition of the fantastic literary in China and establish the sound basis of fantastic literature.