期刊文献+

文学创造理论研究的回视与定位——以《文学创造本体论》为视点

Review and Evaluation of Literature Creation Theory Research ——Form the Perspective of Literature Creation Ontology
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摘要 艺术本体论研究已是20世纪的显学。对于文学创造理论研究而言,本体论堪称最高方法论原则。在世纪之交的开放性语境中,对艺术生态和理论研究有必要进行科学定位。本体论研究虽不失为文学创造理论阐释的重要维度,但也并非文学研究的唯一选择。 Art ontology research has been a renowned discipline in the 20^(th) century.Ontology,to the literature creation theory research,is the ultimate methodology principle.As far as the theory discourse is concerned,the paper makes a macroscopic reivew of the achievements and general state in the 20^(th) century from the perspective of Literature Creation Ontology by Ouyang You-quan.The paper also presents an essential evaluation of the art ecology and theory research with their background located in open context and century transition.And futhermore,the paper sketches a rough outline of the values the book has demonstrated in academic creation.Then the paper points out that ontology research is not the only choice in literature research,though an imporatnt one in the analysis of literature creation theory.
作者 龚举善
出处 《阴山学刊》 2003年第3期9-13,共5页 Yinshan Academic Journal
基金 湖北省优秀中青年人才项目(99B021)
关键词 艺术创造 文学本体 理论定位 开放体系 art creation literature noumenon theoretical evaluation openness system
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参考文献1

  • 1[英]维特根斯坦(Wittgenstein,L·) 著,黄正东,唐少杰.文化和价值[M]清华大学出版社,1987.

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