摘要
周邦彦的格律词对后世产生了深远的影响,同时也引来了种种的非议。本文以北宋后期的时代和创作倾向为背景,结合词的发展及周邦彦的具体创作,阐述了清真词的艺术成就及其对于艺术形式追求的必然性和必要性。
Zhou Bangyan was the key poet in the later period of the North Song Dynasty. His rails and forms of Ci poems composition deeply affected the latter writings and also had a lot reproach. The paper expounds the artistic success of the Qingzhen Ci poems and the necessity of seeking the artistic forms, under the background of the creating inclination in the North Song Dynasty and combining the Ci poems' development with Zhou Bangyan's writings.
出处
《陕西教育学院学报》
2003年第2期66-68,共3页
Journal of Shaanxi Institute of Education