上官仪诗歌创作刍论

Some Criticism on SHANGGUAN's Poem Style

作为唐诗史上第一个以个人名义命名的风格称号“上官体”,其生成与风行既是社会文化风尚“新变”的产物,又顺应了诗歌艺术演进的内在趋势,对唐诗风貌的形成产生了深远的影响。从上官仪现存诗作可以看出,上官体汲取南朝诗艺之精要而又有重大突破,它代表了宫廷诗风由因袭到创新,由密丽到疏隽,由滞重到轻灵,由风格雷同到渐见个性的诗风流变趋势,已超越了唐初诗风之“学术化”趋向, 而呈现出唐诗风貌的端倪。

As the first poem style named after an individual in the peotry history of the TANG Dynasty, the establishment and popularity of 'SHANGGUAN Style' were not only the product of the fresh changes of the social culture custom, but also responded to the inherent tendency of the evolution of the poetic arts, which had a profound influence on the formation of the features of poetry of the TANG Dynasty. A research into the existing poetic materials shows that the 'SHANGGUAN Style 'poems absorbed the essence of the poems in the Southern Dynasty and also made a great breakthrough. It covers the artistic methods such as rhgthm as well as feeling and emotions, and it has actually formed a considerably a sophisticated theoretic system. In terms of peotry evolution, the academic trend of the early TANG Dynasty made TANG Poetry what it is.