现代卡里斯马典型——少剑波——重读《林海雪原》

Modern Chrisma-Shao Jianbo-Reading again 《Li Hai Xue Yuan 》

随着 1 949年中华人民共和国的建立 ,尤其是 1 95 6年社会主义改造完成 ,中国开始实际地实施悬搁已久的空前辉煌的“新文化工程”实验 ,而这样的语境必然把压力施加于小说的叙事之上 ;就是要叙述出一种新的历史主体 ,它应是这种文化语境的逻辑产物 ,同时又反过来赋予这种文化语境以创造性影响。叙述这种新的历史主体 ,正意味着提供一种卡里斯马符号 ,这种卡里斯马典型就是“社会主义新人”典型。而《林海雪原》中的少剑波就是一个具有中心性、神圣性和原创性特征的卡里斯马典型 ,是一个“社会主义新人”

With the foundation of the People's Republic of China in 1949,especially after the accomplishment of the socialist reform in1956,China began to carry out the splendid 'New Culture Project'experiment . Under such a social background and langnage circumstances,the way of narration in fiction is required to possess some new historical subject ,which should be a logical production of this circumstances ,and inversely ,give the circumstances an creative effect .Narration of a new historical subject suggests a Chrisma symbol -- a typical new generation of socialism . Shao Jianbo, in this essay, is exactly a typical Chrisma with the feature of centrality, sacredness and originality, a typical image of 'the new generation of socialism'.