中国现代美学与人的关系问题的文化走向

On the Cultural Tendency of the Relationship Between Modern Chinese Aesthetics and Human Beings

本文试图在20世纪中西方文化全面碰撞、对话和整合的世界存在境遇中,以反思20世纪中国现代美学与人的关系问题的文化走向为轴心,寻求21世纪中国现代美学发展的图景。文章在人的世界性存在的文化层面,从哲学———政治经济学和美学学科两个方面,把反思的基本问题展现为中国人的世界性存在的面貌是怎样的。文章认为,在哲学———政治经济学的层面,中国现代美学展现了20世纪中国人的历史创造者的世界存在态势;在美学自身的学科层面,中国现代美学则呈现出多维阐释的文化态势,尽管二者还存在着人的世界性存在状态与人的世界性存在性质之间的内在矛盾,但是,二者的历史方向都在于建立文化美学,这正是21世纪中国现代美学发展的前景。

In the word existence circumstances of the collision,communication and integration between the Chinese and the western cultures in she 20th century,this paper tries to draw a picture of the development of modern Chinese aesthetics in the 21st century by rethinking the cultural tendency of the relationship between modern Chinese aesthetics and human beings.In the cultural level of the world existence ,the paper deals with the Chinese conditions of the world existence from the two branches of learning:the political economics of philosophy and aesthetics.The paper holds that at the level of political economics of philosophy,modern Chinese aesthetics presents the Chinese world existence description of the "history creator"in the 20th century,while at the level of aesthetics itself, it presents a multi-explanatory culture reality.Although there exists the contradiction between the reality and the nature of the world existence at the two levels ,the direction of historic development lies in setting up cultural aesthetics,which is the very prospect of the development of modern Chinese aesthetics in the 21st century.