论庄骚结构的趋同及其艺术价值

Convergence between the Prose of Zhuangzi and the Poetry of Qu Yuan and Its Artistic Values

庄子散文和屈原辞赋,是典型的浪漫主义文学作品,两者均具“寓实于虚,肆以荒唐谲怪之词,渊乎其有思,茫乎其不可测”的艺术特征。究其根因在于庄子散文和屈原辞赋在结构模式上有三大共同特点:放射式、藤萝式和平行式。此三方面内容的共同结构模式各有其相应的艺术价值,它们对形成庄子和屈原作品的行文气势、主题表达方式以及纷繁灿烂的辞章都有重要的影响。具体表现为:放射式结构助长了文本汪洋恣肆、纵横驰骋的气势;藤萝式结构决定了作品飘忽左右、如影随形的主题表达方式;平行式结构模式则与层出叠现的喻意、纷繁灿烂的辞章有密切的联系。易言之,庄骚文章趋同之结构,正是庄骚风格相类之重要原因。

The prose of Zhuangzi (c. 369 -286BC) and the poetry of Qu Yuan (c. 340-277BC) are both examples of romantic works in that they are rather similar in organization, which had important influence on their style of writing and the expression of motifs. It is the convergence of their organization that accounts for the similarity of their style.