摘要
中国花鸟画与中国传统文化的发展一脉相承 ,它浸透了深厚的人文精神 ,怡人性情 ,美化生活是它的终极目的 ,“借物言志”是它的表现手段 ,“递情”与“煽情”则是其创作目的和表现形式的和谐统一。
Chinese flower-and-bird painting and Chinese traditional culture come down in one continuous line, profound humane spirit was soaked in it. 'Contribute to one's peace of mind and beautify the life'are its ultimate aim. 'Display the sentiment with a borrowed object.'Is its means of expression. 'Sentimental transmition' and 'Sentimental instigation' are in harmony with its creative aim and form of expression.
出处
《邵阳学院学报(社会科学版)》
2003年第1期106-108,共3页
Journal of Shaoyang University:Social Science Edition
关键词
中国画
花鸟画
“借物言志”
“递情”
“煽情”
表现形式
flower-and -bird painting
sentimental transmition
sentimental instigation
humane spirit
the union of the heaven and the human into one