摘要
通过对"诗、骚"创作实践的考察,总结了其所体现的诗学思想,包涵着"言志"与"缘情"功用观的共容,"中和"与"激切"审美取向的兼有,"含蓄"与"明快"表现方式的并用,"虚静"与"骚动"创作状态的俱存,带有相当鲜明的辩证色彩;批评了割断作诗"言情"与政治教化内容联系,否定非"中和"的情感"激切"取向,排斥"明快"的表现方式,以及创作构思只贵"虚静"等偏颇意见;提出了重视对古代诗歌创作实践研究,以总结诗学经验的主张。
Through the investigation into the creation of Shi Jing and Li Sao , th e paper concludes the poetic thoughts in them. They show the dialectical unity b etween political instruction and expression of emotions in function, mildness an d passionateness in aesthetics, implicitness and explicitness in style and quiet ness and excitedness in the creation. Thus, the conclusion corrects the partial views and it is proposed that the study in the creation of ancient poetry be att ached much importance on so as to find out the propositions in poetic experience s.
出处
《安徽师范大学学报（社会科学版）》
2003年第3期264-273,共10页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
安徽省及省教育厅社科基金项目
关键词
创作实践
“诗、骚”经验
辩证关系
诗论偏颇
literary creation
literary achievements in Shi Jing and Li Sao
dialectical
poetic partiality
