摘要
林庚白是南社的重要作家之一,研究近代文学的学人往往简单地视林庚白为宋诗派成员,但事实上宋诗不能涵盖林氏一生诗歌的情感内容和艺术风貌。从早年对同光体的追慕到后来对宋诗派的反叛和超越,林庚白对同光体宋诗派理论的内省与改造体现在藉诗写史的自觉性,情绪与情感的现代性以及以社会主义者之身世与怀抱而为诗三个方面,为传统诗词创作注入了新的精神 气质和思想内涵。其五四以后的诗作也显示了旧体形式的诗歌在主动顺应历史潮流,渗入时代精神的条件下的内在生命力和创作实绩,不应为近现代文学研究所忽视。
Lin GengBai was one of important writers in South Society. The contemporary literature researchers have always classified him simply as a member of the Poetry Genre of Song Dynasty, which can not generalize the sentiment, art style and features of his whole life. Different from the style of Poetry Genre of Song Dynasty, Lin transformed Tong Guang Style by writing history in poems which injected new theory and spirits into the poems.This paper states that Lin Gengbai's new style of the poems after the Fourth Morement can not be neglected by the modern literature research institute.
出处
《南京理工大学学报(社会科学版)》
2002年第6期93-96,共4页
Journal of Nanjing University of Science and Technology:Social Sciences