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苗族服饰美术习得与民族认同——融水县高武寨民族研究个案分析 被引量:3

Miao's Dress Learning and National Identity ——An Analysis of National Research of Gaowu village of Rongshui County
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摘要 广西苗族是一个特殊的少数民族 ,由于受民族传统教育、地域文化习俗的影响 ,其民族个性的发展有一个历史过程。从远古新石器时期的彩陶到商、周、春秋时代的青铜器都与苗族服装文化有一定的渊源关系 ,通过了解苗族服饰的原始内涵、内涵的转化与妇女在服饰美术的创作理念 ,了解这一民族群体的文化认同和文化发展与这一群体个性倾向的关系 ,对现代教育的借鉴 。 Guangxi Miao nationality is a particular minority ,and its individual development has a historical recall :the ancient pottery of the Neolithic Age and the bronze of Shang .Zhou and the Spring and Autumn Annals have original relationship with Miao's dress culture.We can draw a new point of minority's folk art learning by means of the understanding of its original meaning and the meaning's transform,and also women's creative theory in dress art ,which is very meaningful to motivate the communication of folk education and modern education .
作者 覃军
出处 《湖北民族学院学报(哲学社会科学版)》 2002年第6期21-23,37,共4页 Journal of Hubei Minzu University:Philosophy and Social Sciences
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参考文献3

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同被引文献18

  • 1谭华.贵州苗族服饰文化内涵的诠释[J].贵州大学学报(艺术版),2008,22(3):20-23. 被引量:11
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  • 5TomokoTorimaru. One Needle, One Thread: Miao (Hmong)embroidery and fabric piecework from Guizhou?China[ M]. Uni-versity of Hawaii Art Gallery j 1st edition . September 1,2008.
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  • 9吴承德,贾晔.南方山居少数民族现代化探索--融水苗族发展研究[M].南宁:广西民族出版社,1993.
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