摘要
《河岳英灵集》中所谓'神来''气来''情来',其逻辑起点是诗的兴发状态,实际回答的是诗由何来,以及成就何种诗美风貌的问题。以'体'论诗歌的审美风貌,其意近于现代文论所谓'风格'。雅者,正也,也就是典范诗学风格范畴。四体中'雅体'居首位,也是其他三种体式的参照标准。'野体'之'野'取'文胜质则史,质胜文则野'意,殷璠以此总结质直朴实、文采不足、声律未优的一类诗歌的风貌。'鄙体',概言采用村言鄙语写就,质朴不文,通俗易懂之作。俗与雅相对,'俗体'概言庸常之思、浮华之文——不合儒家经义,又兴托不远,情、志不高,缥缈附俗为庸常之思;音韵险仄,又专尚巧似、博而寡要、淫文破典、徒有华辞、但贵轻艳为浮华之文。
Yin Fan’s preface to He Yue Ying Ling Ji put forward "ShenLai", "QiLai" and "QingLai", his logical starting point is the creation of poetry which answers the question of the generation of poetry and how it changed into various styles. In the ancient times, "Ti" was a conception with the same meaning of "style" in modern literature theory used as a standard of poetry aesthetic. "YaTi" is the model style of poetry and the primary standard among four "Ti" types. "YeTi" is a kind of plain, simple and a little rhythmless poetic style. "BiTi" is thestyle with a lot of daily expression lacking in literary skills. "SuTi" is the opposite type against "YaTi". It features the poetry that ornate, rich and excessively rhymed but empty and futile which is contrary to the aim of Confucianism and the internal rules of poetry.
出处
《世界文学评论（高教版）》
2017年第3期137-144,共8页
The World Literature Criticism
