摘要
在获得诺贝尔文学奖的巨著——《约翰·克利斯朵夫》中,法国作家罗曼·罗兰塑造了一位极具生命力的音乐家形象。本文将约翰·克利斯朵夫的生命力与种种世俗情感的关系比作河水与两岸的关系,由此探讨主人公生命力的成因及发展变化的过程。本文首先由克利斯朵夫的亲情关系溯源,接着归纳了克利斯朵夫生命力骤升时期的情感关系,最后着重探讨了情感关系对于克利斯朵夫生命潜流趋于平稳,最终缓缓归入大海的影响。
In the masterpiece Jean-Christophe which earned the Literature prize of Nobel,Romain Rolland created a vital musician image.This paper compares the relationship between the vitality and worldly emotions of Jean-Christophe to that of a river and its river banks in order to discuss the generation and growth of Jean-Christophe’s vitality.In the first place,the paper started with the analysis of Jean-Christophe’s family relationships,followed by the relationships and emotions among the period when Jean-Christophe’s vitality witnessed a dramatic increase.In the last part,the paper particularly focuses on the influences that emotions and personal relationships have on the stabilizing of Jean-Christophe’s vitality.
作者
胡羽佳
Hu Yujia(the College of Humanity and Social Science,University of Melbourne)
出处
《世界文学评论(高教版)》
2018年第1期80-83,共4页
The World Literature Criticism