摘要
艺术意境是艺术思维的产物。作为中国古典文艺学美学的核心概念,它起源于道家,也受佛学的影响。意境是一种情景交融、虚实相生的境界,具有咀嚼不尽的美感特征。比兴思维作为一种艺术思维方式通过类比联想、形象拟比和情感整合促成了情与景的交融,通过化实为虚、虚实兼顾融合虚与实,从而创造了一个意兴和兴象兼具的、言有尽而意无穷的艺术境界。然而,比兴思维在意境创造中的表现是极为复杂的,很难在一个规则的、程式化的游戏中作准确的、毫无遗漏的界定。
Artistic world is an important concept in Chinese classical literature theory and aesthetics. It originates from Dao, and is influenced by Buddha. Bixing thinking finishes to mix up feeling and sight that depend on analogy, association, image proportion and feeling integration, and creates an artistic world that full of Yixing and Xingxiang. The language is over, and the idea is infinity. However, Bixing thinking is very complex in creating artistic worlds. It is very hard to define accurately in a regular and fixative playing.
出处
《北京大学学报(哲学社会科学版)》
CSSCI
北大核心
2003年第3期83-89,共7页
Journal of Peking University(Philosophy and Social Sciences)
关键词
意境
比兴思维
情景
虚实
artistic worlds
Bixing thinking
feeling and sight
virtual and real