从形式美学到“文学图像论”——赵宪章学术轨迹描述

The “Theory of Literary Image” and the Formal Aesthetics of Zhao Xianzhang

"文学与图像关系"问题被"文学遭遇图像"的现实推向了学术前沿,其中,赵宪章的"文学图像论"堪称这一论域的"潮头"。他立足于文学的当下处境及其背后的"符号危机",将"文学与图像关系"的核心定位在语言符号和图像符号之间比较,即"语图符号学"方法,由此提升了整个文学研究的境界。就赵宪章的学术轨迹而言,关于"文学图像论"的研究,实质上是其文体研究的应时转型,而文体研究又是形式美学的顺势承续。由此可见,以"通过形式阐发意义"为基本原则的形式美学,展现出良好的学术延展性。

The relationship between literature and image has been promoted to the academic front by an Image Age. As the tide of this domain, Zhao Xianzhang's 'Theory of Literary Image' believes that the central research of the relationship between literature and image is the comparison of linguistic and image symbols, which is based on the present literary situation and its 'Symbol Crisis'. In other words, the method of 'Language-Image' has promoted the whole literary study. As for Zhao Xianzhang's academic research, the research of 'Theory of Literary Image' is a transformation of his study on stylistics, and stylistics is a continuity of his research of formal aesthetic. Thus it can be seen that the formal aesthetics based on the principle of 'an interpretation of literary meaning through its form' demonstrate its favorable academic ductility.