“生生”之仁与程颢“万物一体”之乐探微

The Benevolence of “Sheng Sheng Princile” and Cheng Hao's “Oneness in All Things”

二程兄弟在"天理"以及"生生"内涵上的相互发展关系上,发展并细化了关于"天理"问题的讨论,让以"生生"之理为本的"天理"问题进一步扩展到人间的万事万物之中,并由此形成了关于"万物一体"之乐的进一步表现。"万物一体"之乐实际上就是这一"生生"之理在人间过程的展现,只不过在展现的过程之中,它一方面显得纯净而透明,另一方面也预示了宋明时期已经升为"天理"的"仁"对人性中感性欲望的压榨,因此,程颢"万物一体"的圣人之乐才失去了人间烟火的色彩,成为一种纯粹完美的道德活动的体现。

The relationship between Cheng Yi and Cheng Hao in the connotation of "heavenly principles" and The Sheng-sheng Principle has developed and refined the discussion on the question of "heavenly principles",and further extended the "heavenly principles" problem of The Sheng-sheng Principle to the world of all things,and thus formed a "oneness in all things" of the music of further performance."All things" is actually the reality of this "life and life" in the process of human show,but in the process of showing it on the one hand it is pure and transparent,on the other hand it also indicates that the Song and Ming Dynasties have been for the "heavenly principles" of the "benevolence" for human nature of the emotional desire of the squeeze.So Cheng Hao's "oneness in all things" of the saints does not seem to lose the color of the world's fireworks,a purely perfect embodiment of moral activities.