观念史范式与艺术史书写的第三条道路——刘成纪《先秦两汉艺术观念史》读后

The Paradigm of Conceptual History and the Third Way of Art History Writing: Book Review of History of Artistic Concepts in Pre-Qin and Han Dynasties by Liu Chengji

艺术作品史和艺术理论史,是目前从艺术维度向历史提问的两种主要范式。刘成纪教授的《先秦两汉艺术观念史》,基于对艺术概念的本土转化、对艺术史观的反思和对"三重证据法"的运用所形成的艺术观念史范式,重新向历史提问,不仅拓展了艺术史研究的路径,照亮了被遮蔽的一些侧面和内容,进一步还原和呈现历史本相,而且对美学史、文学史等的书写提供了方法论启示。

The history of works of art and the history of art theory are two main paradigms to question history from artistic dimension. Professor Liu Chengji’s History of Artistic Concepts in the Pre-Qin and Han Dynasties re-questions the history through a local transformation of artistic concepts, reflection of artistic historical concepts and the application of the 'triple evidence method', which not only broadens research methods of artistic history, illuminates some aspects and contents which were once covered, but also further restores and presents the historical truth, and provides methodological experiences in the writing of aesthetic history and literary history.