摘要
贾平凹的散文集《月迹》给我们展示了一种静虚的禅境,这是贾平凹对禅意的妙悟。这种妙悟的禅意主要表现在作者于《月迹》中给我们描写的一系列意象之中所描绘的一系列意象——月、水、山之中。通过这些意象,作者给我们展示了一种静虚、空灵之境。也正因为这些颇具象征意味的意象,使他的作品意蕴深远,情味深长。这种创作的审美取向,在当前的散文创作中仍将给我们很大的启示。
In The Wake of the Moon, Jia Pingwa showed us a tranquil environment, which is the particular comprehension of Buddhism. The comprehension was represented by a serial of imageries used in the poem, including the moon, water and hill. With the imagery the author displays a tranquil and leisure scene. The aesthetic style of writing, with which profound meanings and implications are hidden in the implicit imagery in the essays,still gives us a lot revelation for writing.
出处
《湖南第一师范学报》
2002年第2期35-38,共4页
Journal of First Teachers College of Hunan
关键词
贾平凹
散文集
《月迹》
禅意
意象
意境
散文创作
文学评论
The Wake of the Moon
JIA Pingwa
tranquil environment
tranquility
imagery
implication