“病态美”的文学呈现与指真

Literary Presentations and Indication of Morbid Beauty

在中国古代及近代的文学作品中 ,“病美人”、“文弱书生”之类的文学人物形象和文人女性化自喻艺术手法频频出现 ,说明一种“病态美”充当着文学和日常审美倾向的主流之一。不仅是在对女性和女性形象的审美上 ,在对男性和男性形象的审美上以及在整个传统文化的美学视野中 ,都普遍存在着崇高品格缺席而“病态美”泛滥的现象。对“病态美”现象的分析与解构 。

In ancient and modern Chinese literary works, morbid beauty characters and frail scholar characters as well as the frequent presentation of the artistic devices of female self-comparing, show that some kind of morbid beauty had been a major part of the literary and daily aesthetic tendency. This flooding morbid beauty and absence of masculine loftiness are too prevalent in the appreciation not only of women and women characters, but also of men and men characters in the aesthetic field in traditional culture. The analysis and deconstruction of morbid beauty might promote the studies of pure and abstract theories of aesthetics ,and of literature and art.