摘要
黄庭坚的文学创作活动以哲宗元祐中为界分为前后两个不同的创作时段,前段主要是将精力投入于诗歌的创作;后段则以词和笔札为主,词作为重要的交际应酬工具,发挥着前此诗所具有的功能,从内容到形式等方面都进行了转换。这种转换,表面上只是诗与词两种不同文体之间互动的变换,在以前和同时文人创作中或多或少有过表现,但象黄庭坚这样刻意为之是仅有的,势必在词的方面深深地烙上了其诗的某些特性。从内容到创作构思、表现形式、艺术风格等方面,黄庭坚的诗法理论及审美理念都对其后期词的创作有所渗透表现。
Huang Tingjian' s literature creation activity is devided into two different stages. The former period focuses on the creation of poems while the latter focuses on Ci and letters. After being demoted, Ci became the important communication tool, giving full play to the function of poems, exchanging from content and form. This exchange was that between poems and Ci seemingly, which had been shown in previous works. But only Huang Tingjian decoted much to it, thus making Ci present some features of poems. His poem theory and aethetic idea had influenced the creation of Ci in his later time.
出处
《南阳师范学院学报》
CAS
2003年第1期55-59,共5页
Journal of Nanyang Normal University
关键词
山谷词
黄庭坚
文学创作
功能转换
艺术风格
Huang Tingjian
later stage Ci
exchange of poem funcion
content
form