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重庆朝天门广场赋的文化解读

Cultural understanding of Rhapsody of Chaotianmen Square of Chongqing
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摘要 矗立于重庆大门的文物珍品《朝天门广场赋》孕含丰富文化内涵。载体为辞赋,具铺张适度,张弛有致;骈散间杂,善于用隅;引典精当,推陈出新;抒情状物,自然天成等特色。实体凸现巴渝文化的多维性,涵盖古城的传统文化、山城的近代文化、抗战的陪都文化、革命的红岩文化以及新重庆、大重庆的都市文化。 Rhapsody of Chaotianmen Square, historic relic and art treasure, contains rich cultural connotation. The type of writing is a style of metrical composition like that of fu with the characteristics of correct extension, parallel prose and verse, correct use of matching words, exact use of citation, weeding through the old and bringing forth the new, expression of emotion and description of the things, nature and so on. The rhapsody contains multiple culture of Ba and Yu and consists of traditional culture of ancient city, modern culture of the city, capital culture of anti-Japanese war, revolutionary Hongyan culture and metropolitan culture of the new Chongqing and big Chongqing.
作者 翁雪梅
出处 《重庆工商大学学报(社会科学版)》 2003年第3期90-92,共3页 Journal of Chongqing Technology and Business University:Social Science Edition
关键词 朝天门广场赋 文化 内涵 Caotianmen Square fu culture connotation
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参考文献3

  • 1[1]重庆市市中区志[Z].重庆出版社,1996.
  • 2[3]翦伯赞.中国史纲要[M].人民出版社,1982.
  • 3[5]沈庆生.中国近代史[M].四川省社会科学院出版社,1988.

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