从古歌到剧本:《仰阿莎》的女性角色嬗变研究

From the Ancient Song to Drama: Research on Evolution of the Female Role in Yangasha

苗族古歌《仰阿莎》流传于贵州清水江流域黔东南地区,在当地被称为"最美丽的歌",是当地苗族古歌"四宝"之一。在20世纪末文化反思与民族文化重建的浪潮中,这首在苗族地区世代传唱的古歌被苗族作家改编为电视文学剧本和大型苗族歌舞剧。在女性人类学视野下,对苗族古歌《仰阿莎》嬗变过程的女性角色进行梳理,揭示了苗族女性"仰阿莎"形象由"物化"走向"人化",由"人化"走向"神化"的角色嬗变过程。

The Ancient Song of Miao Yangesha is spread in Qiandongnan,which is called the most beautiful song in the local regions. Besides,it is also honored as one of the four precious ancient songs of Miao people in the local regions. In the wave of cultural reflection and ethnic cultural reconstruction at the end of the last century,the ancient song sung by generations in the regions of Miao people was adapted into television literature scrip and large- scale song and dance drama. In the perspective of feminism anthropology,the evolution of the female role in ancient song Yangesha has been arranged,which reveals the development process of the feminine image Yangesha in Miao people from materialization to a humanization and from humanization to apotheosis.