摘要
纪录片的社会议题与电影形式有其复杂的诞生过程。纪录片《工厂青年》选择了"不干预"的态度进入了形式与内容的探索。导演的三十年文学修养与纪录片电影实践的结合,在一个否定之否定过程中,形成了现代主义美学与现实主义现实互动,在当代纪录片中独树一帜。
The social issues and film forms faced by a documentary are a complex birth process. The documentary ' Factory Youth' chose the ' non-intervention' attitude to explore the form and contents.The combination of the director’s thirty years of literary accomplishment and documentary film practice,in the process of a negative negation,formed a modernist aesthetic and realist reality interaction,which is unique in contemporary documentaries.
出处
《青年学报》
2019年第1期22-27,共6页
Youth Research
关键词
纪录片
现代主义
不干预美学
documentary
modernism
non-intervention aesthetics