摘要
20世纪 80年代我国的电影创作出现了前所未有的大胆探索景象。以张艺谋为代表的第五代导演扛起了反叛传统创作理念、创作原则的大旗 ,在审美观上追求真实 ,在哲学观方面对人进行深刻的剖析 ,表现出自在、坦然的生命意识 ,在创作原则方面 ,大胆地强化观念、细节、造型 ,淡化主题、情节、人物。这种探索创造了一个崭新的银幕时空 ,就探索创新而言 ,无疑具有进步的意义 ,但是作为电影———这种大众的艺术 ,过分追求创作主题的哲学理性、创作手段的主观个性 。
In 1980s, the film development took a probing look. The directors of the fifth generation, for example Zhang Yimou, held up the flag of objecting to traditional creating rational and rules. They hunted the truth on the aesthetic appreciation and analysed the people's characters on the philosophic appreciation. About their developing rules,they strengthened concept, details, design, plot and characters and so on. This kind of probe created a new film time and it made a great progress for the creative probe.However for the public art-film, it is not appropriate to lose a lot of audiences by excessively hunting the philosophic rational of creative subject and the subjectivity of creative methods.
出处
《襄樊职业技术学院学报》
2003年第3期63-66,共4页
Journal of Xiangfan Vocational and Technical College
关键词
中国
二十世纪八十年代
电影
审美特征
哲学理念
创作原则
造型
the directors of the fifth generation
probe film
aesthetic specific feature
philosophic rational
creative rules