论《典论·论文》到《文赋》的美学嬗变

Aesthetic evolution from "stylistics-on writing" to “Fu in writing”

从诗学审美的角度阐述了曹丕《典论·论文》经由魏晋玄学到陆机《文赋》的美学转变过程及其意义。着重强调了从“诗赋欲丽”到“诗缘情而绮靡”的美学嬗变对于先秦以来所形成的儒家诗学审美观的巨大冲击 ,揭示了它在人的自觉过程中所具有的本体论的审美意义 ,指出了对于艺术形式美的重视和欣赏是人的自我意识的觉醒、艺术自身的发展要求、时代变化的影响和特别是哲学美学思潮发展的综合作用的结果。

From aesthetic conception, this paper probes into Caopi's 'stylisties on writing' aesthetic evolution process from the metaphysics in Wei and Jin Dynasty to Lu Ji's 'Fu in writing', and its significance. It emphasizes the great impact of the aesthetic evolution from the point of 'poem and Fu are beauty oriented' to 'poem arises from passion and is splendid as silk' on the confucian poetie easthetie evaluation which began to come into being since XiaoQin. It reveals the aesthetic signifieance of noumenon in human self awareness, and points out that the emphasis and evolution of artistie from beauty is the comprehersive results of human's self awareness, demand of art development, and influence of time, especially trends in philosophical aesthetic development. The development and evolution of this artistie aesthetic conception produces profound influence upon the literature of later generation.