摘要
日剧《昼颜》在日本一经播出便成为热议的话题,在中国也影响甚远。这自然与其对"主妇出轨"这一敏感话题的呈现有关,但显然《昼颜》的意义并不仅限于此,更在于其经由对"主妇出轨"的叙述,触及了现代社会发展的进程中所出现的某些问题或症候。因此,"主妇出轨"不仅可以被理解为女性追求个人成长的一种极端呈现,同样可以被看作中产阶级家庭危机的突出表现,甚至是整个都市文化病症的表征,也正是在此意义上,《昼颜》给中国同类电视剧的创作提供了宝贵的启示和经验。
Once Zhou Yan was broadcast in Japan,it became a hot topic and also had great influence in China. Of course,this phenomenon is related to the sensitive topic of housewife derailment,however,the significance of Zhou Yan is obviously not limited to this. It touches on some problems and symptoms in the course of modern society development through the narration of housewife derailment. So housewife derailment can be understood as the extreme performance of woman's pursuit of personal growth,the obvious embodiment of family crisis for the middle class,and even the characters of the disorder in the whole urban culture. Based on those,Zhou Yan offers precious inspiration and experience for the creation of similar TV series in China.
出处
《海南热带海洋学院学报》
2016年第4期100-106,共7页
Journal of Hainan Tropical Ocean University
基金
浙江传媒学院戏剧影视研究院2015年专项课题(ZCXJYS15ZD05)