2000年以来中国大陆抗日战争题材电视剧产播嬗变论略

Change of Production and Broadcasting of TV Dramas about Resistance Against Japan War Since 2000 in China's Mainland

2000年以来抗战题材电视剧总体呈现"低—高—低—高—低"发展态势,有两个产播高峰,前者以侧面剧为主,后者以正面剧为主。对国民党部分部队正面抗日进行肯定。电视剧类型程式化、脸谱化、娱乐化。抗战胜利纪念年、钓鱼岛主权争议等,是抗战题材电视剧增减变化的诱因;台海局势的改善及国家领导人公开场合对国共在抗日战场正面、敌后作用的客观定位,是抗战题材电视剧题材转向的外因。制作方追求利益至上是抗战题材电视剧产播高峰的内因;迎合部分观众娱乐游戏心理,消费历史是抗战题材电视剧产播起伏的变因。解决抗战剧产播弊端需相关管理部门加强宏观调控和正确引导,编导、演员提升文化素养和社会责任担当,电视受众需提高审美意识,需多方搭建精英话语权平台。

Since 2000 TV dramas aboutwar of the resistance against Japan present the low-high-low-high-low curve development. There are two production peaks,the former is dominated by side plays,the latter by positive plays. The affirmation ofsome Kuomintang troops’ resistance against Japan appears. The TV drama type presents stylization,facial makeup,and entertainment attributes. The increase or decrease of the dramas is the result of anniversary year of victory in the resistance against Japan war and the sovereignty dispute over the Diaoyu islands.The continuous improvement of Taiwan Straits situation and the leaders’ objective orientation on Kuomintang’s positive and enemy’s rear area rolein the battlefield are the external causes of the turn of drama theme. The internal cause is producers pursue benefit. Catering for part of the audience’s entertainment game psychology and history consuming influence the production and broadcasting. To solve the problems relative management departmentsmust enhance macroscopic regulation and control and play a correctguiding role,writers and directors must improve cultural accomplishment and social responsibility,audience must improve aesthetic consciousness,and many parts should take part in building word power platform for the outstanding person.