摘要
笔者通过对长篇弹词《笔生花》实际用韵的穷尽式分析、总结 ,归纳出《笔生花》的七部阴声韵 :齐微部、皆来部、鱼模部、宵豪部、歌戈部、家遮部和尤侯部 ;并将此七部与《广韵》和《中原音韵》的韵部及其他韵书进行比较和分析 ,从而总结出“《笔生花》的用韵较大程度受吴方言影响 ,也较明显地体现了语音发展、融合”
This article prevents an exhaustive analysis of the actual rhyme used in Long Tanci Bi Sheng Hua, summing up seven vowel finals in Bi Sheng Hua:Qiwei(齐微),Jielai(皆来),Yumo(鱼模),Xiaohao(宵豪),Gege(歌戈),Jiazhe(家遮)and Youhou(尤侯)?They are then compared with the rhymes in Guangyun,Zhongyuanyinyun and other rhyme books,with the conclusion that the rhymes used in Bi Sheng Hua were largely affected by Wu Dialect,which in turn reflects the development and combination of phonetics.
出处
《福建师范大学学报（哲学社会科学版）》
北大核心
2003年第2期91-95,共5页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
