摘要
汪曾祺的短篇小说以描写一个特定的历史沿革、特定的地域风情见长。在浓郁的乡土风俗画的描写中,作家对民族的道德美、情操美、人性美进行了着力的讴歌赞颂。由于作家独特的人生经历,在创作中童年意识一直统摄着他的审美理想,成为支配他创作的特定审美意识。
WANG Zengqi's short stories are distinctly characterized with description of the changes in a particular historical period and ways and customs in a particular area. He draws a vivid picture imbued with rich local colors in which the novelist sings high praises of the beauty of morality, sentiment and humanity of the Chinese people. Owing to his unique experience of life , in the course of creation the awareness of his childhood has always dominated his aesthetical ideal, and becomes an aesthetical consciousness that controls his creation.
出处
《内蒙古师范大学学报(哲学社会科学版)》
2002年第6期77-81,共5页
Journal of Inner Mongolia Normal University:Philosophy and Social Sciences Edition