摘要
郭祥正所发表的书画观点,在中国艺术批评史上弥足珍贵。在诸如画与世、画与物、画与境、画与意、画与心、画与品、画与诗、画与法等重要问题上,都有自己的独到的见解,值得挖掘与研究。
The view put forward by Guoxiang - zheng is extremely volueable in the history of Chinese art criticism. His unique understanding for painting and the world, painting and objects, painting and context, painting and idea, painting and poem requires probing and research.
出处
《南阳师范学院学报》
CAS
2003年第4期75-78,共4页
Journal of Nanyang Normal University