摘要
具象绘画在经历了现代主义历程之后得到普遍回归,然而其形象已不再是从前的自然主义的形象,而是凝集着抽象艺术、观念艺术等现代艺术探索的结晶,形象被赋予符号的象征意义,反映了作者的观看方式及思想感情。
Concrete image painting regresses widespread after having experienced modernism. But its image is no longer what its former naturalism was, but the crystallization condensing modern artistic exploration such as abstract art, concept art and so on. The image has been endowed with symbolic meaning of signs, reflecting the writers'point of view, thoughts and feeling.
出处
《包装工程》
CAS
CSCD
北大核心
2003年第4期77-78,共2页
Packaging Engineering
