摘要
席勒继承康德的以意志自由为核心的人类学本体论哲学思想建构了自己的道德主义悲剧观。他的悲剧观坚持理性和道德的原则,直接关心人性的完善和人类的自由,开启了西方哲学包括美学"人类学本体论"转向后的悲剧理论的一个源头。席勒在西方美学史上第一次把悲剧性与崇高在道德激情的基础上联系起来,把悲剧性看作崇高的集中表现,超越了以往的悲剧理论。
Schiller inherited Kant's philosophical thought of anthropologic ontology that took free will as the core and established his moralistic view of tragedy. Schiller adhered to the principles of reason and morality of tragedy. He combined tragedy with sublimity on the basis of moral enthusiasm for the first time in the West aesthetic history. He also regarded tragedy as the concentrative representation of sublimity and transcended former tragedy theories. Schiller's moralistic view of tragedy concerned itself immediately about the perfection of human nature and freedom of mankind, so unseal a headstream of tragedy theory after the turning of 'anthropologic ontology' of the West philosophy including aesthetics.
出处
《江汉大学学报(人文科学版)》
2003年第4期16-19,共4页
Journal of Wuhan Institute of Education