摘要
中国山水画的临摹,写生,创作,是高校美术教育中国山水画教学过程中不可缺少的重要组成部分,古往今来成为学习山水画定法。结合教学实际,研究探讨三者之间的区别与联系以及前人的创作经验,对于指导山水画教学是极其重要的。
Copy, draw and creation of traditional Chinese painting of landscape are three indispensable parts during landscape paintingteaching in colleges and universities of all ages they have become regular method of studying landscape painting.I think for guiding teaching it is very important to deliberate the difference and relation among these three parts and the creative experiences of predecessors.
出处
《沈阳教育学院学报》
2003年第3期93-95,共3页
Journal of Shenyang College of Education
