摘要
《源氏物语》中的第12卷《须磨》,是小说故事情节发展的高潮,是写得跌宕有致的最精彩的部分,充分体现了日本平安时代王朝文学的特征和最基本的艺术特色,贯穿着日本文学独特的“物哀”美学理念,历来被源学研究界公认为全书的压卷之作。
Suma' Book XII of 'The Biography of Genji' is the climax of story development, also the most brilliant part which is written in a style free and rich with variation. It fully embodies the characteristics of royal literature and the basic artistic features in Japanese Ping an times, and is also permeated with the typical aesthetic concept 'pathos' in Japanese literature, and is therefore regarded as finale of the novel by researchers of 'The Biography of Genji'.
