摘要
拉康以亚里士多德《诗学》中关于悲剧的净化作用为出发点对古希腊悲剧,尤其是对索福克勒斯的《安提戈涅》进行了解读分析,形成了自己独特的悲剧理论。他认为,安提戈涅的美与崇高是产生悲剧效果的基础,而她在悲剧中拟人化的疯狂冲动(Ate即“迷恋”)对观众读者具有净化作用。本文目的是通过代表国家法律的克瑞翁和代表神赋予神圣职责的安提戈涅的冲突,分析安提戈涅对Ate的超越而产生的净化过程。
With the help of Aristotle's insight of tragic catharsis in Poetics, Jacques Lacan analyzes Sophocles' Antigone and develops his peculiar and general tragedy theory. He claims that Antigone's beauty and sublimation are the foundation of the tragic effect and Ate, personified in the tragedy, has the power of catharsis. The goal of the essay is to analyze, through the conflict between Antigone who stands for the divine duty sent by gods and Creon, who represents the law of Thebes, the process of Antigone's going beyond Ate.
出处
《涪陵师范学院学报》
2003年第5期20-22,共3页
JOurnal of Fuling Teachers College
关键词
悲剧
净化
法律
冲突
欲望
tragedy
catharsis
effect
law
conflict
desire
Ate