摘要
袁可嘉在1946～1948年发表的一系列有关新诗现代化、新诗戏剧化的精彩理论,促成了新批评在中国语境中的嫁接与改头换面的成活,并成为中国诗论从古典走向现代的重要标志。深入考察,我们发现英美新批评的中国化与中国诗论的现代化有其深刻的学理依据(观念契合)和历史根由(走向综合),启人深思。
Yuan Kejia published many excellent articles on the modernization and dramatization of Chinese ' New Poem ' in 1940s , his words made New Criticism accepted and changed in Chinese experience , and Yuan also made Chinese poetics advanced obviously forward modernization . If we study deeply , we can find that the acceptance of New Criticism and the modernization of Chinese poetics have academic basis ( affinity of ideas ) and history cause ( forward synthesis ) ,that's significance .
出处
《钦州师范高等专科学校学报》
2003年第3期56-61,共6页
Journal of Qinzhou Teachers College
关键词
新批评
中国化
中国诗论
现代化
契合
综合
New Criticism
the acceptance in China
Chinese poetics
modernization
affinity
synthesis
