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严重破损字画的修复方法——以清代祖谱画的修复为例

Repair Method of Badly Damaged Calligraphy and Painting——A Case Study of the Restoration of Ancestral Paintings in Qing Dynasty
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摘要 北京市文物局信息资料中心收藏一张清代大幅画作,因作品断裂程度较大,无法打开无法确定画作内容,对这件文物进行了抢救性修复。严格按照国家文物局制定的修复标准进行保护性修复,针对不同的破损程度,制定实施了多种修复方案,采用了传统的修复技法,将破损严重的画面修复完全。本文以这副作品的修复为实例,探讨书画修复中严重破损的字画修复方法。 Beijing City Cultural Relics Bureau Information Center collects a painting of Qing Dynasty,but because of a greater degree of fracture work,cannot open cannot be determined only from the archives of paintings,can judge the painting as the Qing Dynasty,the April 2017 information center to find the capital museum protection technology and traditional technology research department of calligraphy and painting group,the relic rescue repair.In the repair process,in strict accordance with the standards we repair the State Bureau of cultural relics protection of the repair,the repair process of damaged in different degrees,the formulation and implementation of various repair scheme,and using the traditional repair techniques,will be seriously damaged the repair of complete picture.Taking the restoration of this work as an example,this paper discusses the restoration methods of serious damage to calligraphy and painting in the restoration of painting and calligraphy.
作者 陈潇 马燕 郭玢 Chen Xiao;Ma Yan;Guo bin(Capital Museum of Conservation Technology and Traditional Arts Research Department)
出处 《人类文化遗产保护》 2018年第1期46-48,共3页 Human Culture Heritage Preservation
关键词 清代 破损 修复方法 Qing dynasty damaged repair method
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