大庭美奈子文学中的亚洲叙事

The Asian Narration of ōba Minako's Literary Works

大庭美奈子旅居美国长达11年,有着日本本土作家难以获得的外国文化体验。"浓厚的异国情调"是其文学创作的特色之一。自成名作《三只蟹》获得1968年度群像新人奖和芥川奖后,大庭以日本本土作家难得一见的大胆不羁对日本乃至整个亚洲文化圈进行了巧妙的建构。然而,文学中浓浓的异国情调和外国舞台背景无法遮挡作品中东方元素的浓烈气息。本文将从大庭美奈子文学中的建构模式来探讨其文学叙事中的地域叙事特色,以期探悉世界文学框架下大庭文学叙事中的亚洲元素。

“The dense exotic atmosphere”is one of the literary creation characteristics ofōba Minako, who sojourned in the US. for 11 years-a rare cultural experience among the native Japanese female writers. Thus, ever since her first well-known novel ThreeCrabswon the“New Writer Award”and“Akutagawa Award”in 1968, she has masterly constructed the Japanese and even the Asian cultural circle with a boldness and unruliness which is very rare among Japanese writers.ōba’s deep traditional cultural appreciation makes her able to use the eastern historical and cultural accumulation smoothly and subtly. Therefore, her strong flavor of eastern elements can hardly be sheltered from the exotic atmosphere and the foreign stage. This article explores the characteristics ofōba’s regional narration in her literary work from the perspective of her model for literary construction. Moreover, the article tries to ascertain ōba’s unique feministic Asian narration in the framework of world literature studied in the global context.