紫式部的“日记歌”和她的求道心

Murasaki Shikibu's Nikkika and Her Tao Heart

本论文以紫式部的日记歌中的两首释教歌为切入点,在归纳释教歌的定义的基础上,确认了紫式部两首释教歌的性质,指出了紫式部虽然心系佛门却没有像赤染卫门、和泉式部那样留下众多与佛教相关和歌的原因。以此揭示散文与韵文在表达内容上的差异,阐述了日本平安时代女性散文文学繁荣的缘由。

This paper takes Murasaki Shikibu's Nikkika as the breakthrough point, then on the basis of concluding the definition of Syakkyoka, recognizes the characteristics of Murasaki Shikibu's Syakkyoka. We consider why though Murasaki Shikibu thought of becoming a Buddhist she did not compose any Wakas that were related to the Buddhist faith as, for example,had Akazome Emon and Izumi Shikibu. The differences of the expressions of prose and verse are then explained, expounding the causes of the prosperity of women's prose literature in the Heian period of Japan.