文体学及叙事学视阈下的《战争和一个女人》

One Woman and the War in View of Stylistics and Narratology

本文尝试灵活运用叙事学与文体学两种工具,就日本"无赖派"代表作家坂口安吾的短篇小说《战争和一个女人》及其姊妹篇《续战争和一个女人》进行互文阅读,挖掘被表象掩盖的"潜文本"。前一文本通过男人的视角观察女人,后一文本通过女人的视角聚焦战争,表现战争在肉体生存和心理体验上带给人类个体的极端化感受。对作品形式层面展开全面剖析后跳出文本,进一步就诸多易被忽视的细节进行深入的语境探讨,至此作家对战争的批判态度方完全得以确认。

In terms of narratology and stylistics, this article sets out to intertextually discuss two short novels of Ango Sakaguchi,a famous Mulaiha writer in Japan, One Woman and the War and its companion volume, and thereby explore the'subtext'that has been covered by the representation. In the narrative, the writer observes the woman from the angle of the man; and on the other hand,he focuses on the war from the viewpoint of the woman so as to express the extremity experienced by individuals both physically and psychologically in the war. After thoroughly analyzing the forms of the novels, this article puts forward beyond the texts a further contextual discussion on the details that may otherwise be easily neglected so as to comprehensively confirm the critical attitude towards the war on the part of the writer.