摘要
弋阳腔最初为诗赞体戏曲。后接受佛教俗讲梵呗及说唱文学影响,在南诸宫调的直接推动下形成南戏声腔,变为联曲体戏曲。在这个过程中保留了诗赞体戏曲的若干因素,后来发展产生了滚调。又吸收弦乐,促成梆子腔及皮黄腔的产生,最终形成板腔体的戏曲音乐体制。
The Yiyang drama as the Poetic - musical drama in the beginning , influenced by the Buddhist literature such as Popular - talk、Buddhist Chants and Ballads etc, has evolved the Southern - musical drama directly by the southern Gong - diao. During the course, it has continued to have some factors of the Poetic - musical drama which produced the Rolling - melody. The Yiyang drama at last helped to bring about the Ban - qiang drama.
出处
《河北大学学报(哲学社会科学版)》
CSSCI
2003年第2期40-42,共3页
Journal of Hebei University(Philosophy and Social Science)
关键词
诗赞体戏曲
弋阳腔
板腔体戏曲
The Poetic - musical drama
The Yi - yang drama
The Ban- qiang drama.